论文部分内容阅读
一鸣不把创作看作一般的事业,更不是消遣或“玩”;在他,创作是一种生存方式,是生命的组成部分。从与散文结下生死之缘那一天起,他就以自己整个的心灵去苦苦地感受、默默地追寻,每一篇作品的产生都是一次痛苦而快乐的蜕变。一鸣的处女作是《当代小说》独具慧眼在该刊一九八六年第十二期发表的《串杨叶》(曾获一九八五年全省大学生文学创作评选一等奖散文类第一名)。该作以一个孩子独语的方式,淡淡地叙说“我”童年的痛苦、忧伤,
Yi Ming does not regard creation as a general undertaking, nor is it pastime or “play”; in him, creation is a way of life and an integral part of life. From the day when the essays came to life and death, he began to feel painfully and silently in his whole heart. Every piece of work was a painful and happy transformation. Yat Ming’s debut novel is a unique contemporary novel, published in the twelfth issue of the journal in 2006 “string Yang Ye” (won the 1985 provincial college students’ literary award winning prizes First place). The book as a child’s language, a faint narrative “I” childhood pain, sadness,