从上世纪90年代以来,中国当代文艺批评发生了一系列深刻的变化,其中以电视作为媒介的文艺批评受到各界的广泛关注。本文以陕西电视台创办的《开坛》为研究对象,从其批评主体的复合化、话语方式的大众化、文本结构的开放化以及价值取向的人文化等方面分别检视,以阐发电视文艺批评范式的合法性构建以及当代中国文艺 Since the 90s of the last century, a series of profound changes have taken place in China’s contemporary literary and art criticism, of which the literary and art criticism using television as a medium has drawn wide attention from all walks of life. This article takes “open altar” founded by Shaanxi TV Station as the research object, examines the complexities of the main body of criticism, the popularization of the discourse mode, the openness of the textual structure and the cultural orientation of value orientation to clarify the paradigms of TV literary criticism paradigm Legitimacy Construction and Contemporary Chinese Literature and Arts