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清代乾隆五十五年(公元1790年),皇帝弘历八十寿辰,浙江盐务大臣承办祝寿‘皇会’,闽督伍拉纳命其子带三庆徽班进京‘祝厘’演出。其后,又有四喜、启秀、霓翠、和春、春台等班相继进京。它们不是巡回演出,演完就走;而是定居京城,在北京原有的三、四十个戏班之外,又添劲旅。特别是其中的三庆、四喜、和春、春台四班,以其演员阵容之强盛、演出剧目之具有特色和营业持续年代之长久,声名最著、史称‘四大徽班’。四班中又以三庆班实力最强、历史最长,其掌班人常破推举为当时戏曲界封建行会组织梨园会所精忠庙的‘会首’。
Fifty-five years of Qianlong in the Qing Dynasty (1790 AD), Emperor Hongli eighty birthday, Zhejiang Salt Minister promised birthday “emperor will be” show. Since then, there are four hi, Kai show, neon, spring and spring classes have been to Beijing. They are not touring performances, leaving after they finish; instead, they settle in the capital and add extra hard work to the original three or forty troupes in Beijing. In particular, the three celebrations, the four hi, the spring and the spring four classes, with its strong cast, the repertoire has the characteristics and business continuity of the long term, the most famous, known as the ’four emblem classes.’ Four classes again in the three celebration classes the strongest, the longest history, the palm of his hand people often broke the election for the then feudal peasant associations in the opera circle Jingzhong Temple ’leader.’