范立欣的《归途列车》是一部反映当代农民工在社会的挤压下,无法掌控自己和家庭命运的影片。在影片中,导演首先用艺术手段建构起“家”的意义,接着又用家庭关系的变迁表现“家”的解构,导演的目的在于利用“家”的建构与消解,来表达自己对于当下社会大环境下小人物命运的思考。 Fan Li-han’s “return train” is a film that reflects the current migrant workers can not control their own destiny and family under the pressure of the community. In the film, the director first constructs the meaning of “home ” by means of art, and then uses the change of family relations to display the deconstruction of “home ”. The purpose of the director is to make use of the construction and resolution of “home” To express their own thinking about the fate of the little people under the current social environment.