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前不久在杂志上读到一个作家谈及文学和舞蹈的文字,大意是反对在创作中戴镣铐跳舞,认为现代舞健康舒展而芭蕾病态等。这不是个谬论,因为在某种创作境界的阐述上它完全正确,但是我意识到在涉及文学艺术的本质时它的指向有点似是而非。不知怎么就想到了信天游,想到陕西的一个民间歌唱家在唱信天游的时候,有专家在一边旁听,结果宣布他的声音之高度超过了帕瓦罗蒂的高音。不必将西洋歌剧和信天游做出井水不犯河水的鉴别,信天游的歌声通常被认为是未经雕琢的自然的民间艺术,但是当我们同时或者分
Not long ago in the magazine read a writer talking about literature and dance writing, the effect is opposed to the creation of handcuffed dancing, modern dance healthy stretch and ballet morbid condition. This is not a fallacy, for it is perfectly correct in some elaboration of the realm of creation, but I realize that it is somewhat specious when it comes to the nature of literature and art. I do not know how to think of a day tour, think of a folk singer in Shaanxi singing a day tour when an expert on the sidelines, the result announced his voice was Pavolotti’s high degree of treble. Do not have to do well in the Western operas and Xintianyu rivers do not discriminate, the song of the day tour is usually considered the uncut natural folk art, but when we either