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绘画史分期从形式上是对绘画历史时间脉络的分段。每个研究者都有一种从自身理解绘画史而建立的分期标准,标准并非是客观存在的。藤固是中国近代艺术史学的奠基性人物,在方法上开拓了传统绘画史研究思路,以风格学方法结合文献参证推进了中国绘画史研究。而近代艺术史学不仅是由于方法得以确立,更为重要的是对于绘画史发展以怎样的方式存在的反思,即绘画史分期问题的反思。在这方面,可以说藤固是一位先行者。
The history of painting history is formally the segmentation of the historical time of painting. Every researcher has a staging standard established by himself to understand the history of painting, and the standard does not exist objectively. Fujito was the founding character of Chinese modern art historiography. He pioneered the research ideas of traditional painting history in terms of methodology, and promoted the research of the history of Chinese painting based on the method of style and the reference of documents. Modern art historiography not only because of the method to establish, more importantly, the development of the history of painting in what way there is reflection, that is, the history of painting history staged reflection. In this respect, it can be said that Fujimura is a pioneer.