先秦时期古人就已经形成了通过绘画达到教化目的的传统,在众多题材中,讲述女性故事以期达到教化作用的《列女图》已经产生。这一传统在两汉继续获得延续、发展,而原本并不起眼的列女题材,在汉成帝时期通过刘向《列女传》的完成,经过重新筛选、整合,形成了一个固定下来的系列女性绘画事迹集,从此,这个系统的《列女图》在儒家教化体系中起着独特的、不可替代的作用。 In the pre-Qin period, the ancients had formed a tradition of attaining the goal of enlightenment through painting. In many subjects, the “female figure” about female stories in order to achieve enlightenment has been produced. This tradition continued to be extended and developed in Han dynasty, while the original columnmatic themes were not very prominent. Through the re-screening and integration of Liu Xiang’s “Biography of Women” during Han Dynasty, a series of fixed women Painting deeds set, since then, the system of “women and children” in the Confucian enlightenment system plays a unique, irreplaceable role.