雕塑系的改革是从1979年开始的,它面临的是一个更根本的“出路”问题,长期以来,人们并不感到雕塑为社会所必需,所以它也不被重视。雕塑阵地大多限于展览会、博物馆、美术馆、未能很好与城市建设结合,不能发挥雕塑艺术本身的特有功能。“文革”前雕塑系毕业生的分配也年复一年地困难。个别学生无心向学闹转系,退学者有之,教师也感到无所作为,这种情况,不能不引起复校后的新系主任潘鹤 Since the beginning of 1979, the reform of the sculpture department has faced a more fundamental question of “way out.” For a long time, people did not feel that sculpture was necessary for society and therefore they were not taken seriously. Sculpture positions are mostly limited to exhibitions, museums, art galleries, failed to integrate well with urban construction, can not play the unique features of the sculpture itself. “Cultural Revolution ” before the division of sculpture graduates year after year difficulties. Some students are unwilling to learn to make trouble in the transfer system. Those who drop out of their school also feel that teachers are doing nothing. This situation can not but lead to the re-correction of the new department director Pan He