“牡丹”与“亭”均有性的暗示,《牡丹亭》的命名象征了男女欢爱的场景。昆曲《游园惊梦》与《寻梦》两出传统折子戏的舞台表演中,艺人们通过一系列的程式表演、对柳枝的运用以及杜丽娘额前刘海的去留,体现了他们对《牡丹亭》里敦伦之意的理解。《牡丹亭》中柳梦梅才是真正的主角,这部作品之所以要从柳杜情爱故事入手,是为了让柳梦梅通过其与杜丽娘相遇及之后的经历,真正成熟起来,成为作者心目中理想的封建文人。汤显祖维护和赞扬的正是正统的儒家思想。 “Peony ” and “Pavilion ” have the sexual implication, “Peony Pavilion” is a symbol of the men and women love the scene. Kunqu Opera “Garden Dreams” and “Dream” In two traditional suriko drama stage performances, the entertainers through a series of program performances, the use of Willow branches and the front of the Du Liu Niang Liu blessing, reflects their “Peony Pavilion ”Understanding of the meaning of Rittalham. Liu Mengmei is the true protagonist of “The Peony Pavilion.” The reason for this work to start from Liu Du’s love story is to make Liu Mengmei really mature through his encounter with Du Li-niang and become the ideal feudalistic fellow in his mind Literati. It is orthodox Confucianism that Tang Xianzu maintained and praised.