吴昌硕是我国近代著名的艺术大师,在篆刻书画方面都取得了很高成就。他对印学研究精深,虽没有一本印学专著问世,却有丰富的诗文留世,其中很多是关于印学技法和主张的。目前学术界还没有专门研究吴昌硕论印诗的论文,本文将以吴昌硕的论印诗文为突破口,并结合其他相关方面的资料,通过对其论印诗文分析,以揭示他诗中所蕴含的印学主张和取法对象。 Wu Changshuo is a famous master of arts in modern China and has achieved great success in carving and painting. He studied printing and study deeply, although not a print monographs come out, but there is a wealth of poetry left, many of them about printing techniques and ideas. At present, there is no academic research on Wu Changshuo’s treatises on printed poems. This article will take Wu Changshuo’s printed poems as a breakthrough point, combined with other relevant information, through analysis of his printed poetry, in order to reveal his poems contained Impressionist and object of law.