中国书法从诞生那时起,就是因为实用的需要。到了明清之际,文人书斋的赏玩,厅堂悬挂的兴起,书法便逐渐成为文人雅客的把玩之物。而当今进入键盘时代,文字的书写大有被键盘取代的趋势。而书法由实用走向纯艺术已是潮流所趋。这样,书法便逐渐脱离一般大众,而成为小众艺术。尤其是当下年轻人别说毛笔,就连钢笔都用得很少。书法的生存堪忧。如果仅靠全国几十万各级书法家协会会员来支撑书法事业持续发展的重任显然是不现实的。在这几十万书协会 Chinese calligraphy since its birth, it is because of practical needs. By the time of the Ming and Qing Dynasties, the literati’s study, the rise of halls, and calligraphy gradually became the plaything of the literati’s allegiances. Nowadays, when entering the keyboard era, the writing of words has been replaced by the keyboard. The calligraphy from the practical to pure art is the trend. In this way, calligraphy gradually deviates from the general public and becomes a minority art. In particular, young people today do not use brushstrokes, even pencils are used very little. Survival of calligraphy worrying. If only rely on hundreds of thousands of calligraphist associations at all levels to support the continued development of calligraphy cause the task is obviously unrealistic. In these hundreds of thousands of book associations