在 新世纪的前夜 ,中国歌剧理论界又开始了路向之争。有同志对“从八十年代中期起开始的追求歌剧艺术向西洋歌剧靠拢的倾向”进行了严肃的批评 ,强调 :“以追求歌剧艺术趋向西化的论点是导致具有民族特点的中国歌剧难以发展的重大障碍。”严肃批判了“中国歌剧要走向世界 ,就要 On the eve of the new century, the Chinese opera theorists again began the war of directions. Some comrades have solemnly criticized “the tendency toward the opera of the West to pursue opera art since the mid-1980s” and stressed: “The argument that western music is sought after in the pursuit of opera art has led to the difficulty of developing Chinese opera with national characteristics Serious obstacles. ”Seriously criticized the" Chinese opera to go to the world, it is necessary