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文章主要从现在的戏剧表演现状中,谈到了层出不穷的演员们的表演。有些演员给观众带来的不是真实生动的表演,而是不符合生活逻辑的虚假的表演。所以演员要想成功塑造一个角色,是必然离不开“走心”的表演。在戏剧表演艺术中体验与体现是演员在创作角色过程中必须所具有的表演技巧。演员在塑造人物形象的过程中,由于演员创作者自身的限定,总会有诸多因素影响着每一次呈现的表演效果。演员不能把内心体验与外部体现分割开创作,如果演员单单注重内在的心理感受而忽略外部表现手段,就会失去舞台上行动的能力,造成虚假的表演,这是演员在塑造人物角色中常常会出现这样的问题;但如果演员注重外在的表现手段而忽略了内心真实的体验,那么演员在舞台上就失去了行动的依据,失去了“生命”。所以内心体验与外部体现一定要结合,无法分开。
The article mainly from the current situation of theatrical performances, talked about an endless stream of performers. Some actors brought to the audience is not a real live performance, but does not conform to the false logic of life performances. Therefore, if an actor wants to successfully shape a character, it is inevitable that he / she can not leave behind. Experience and expression in the theatrical performance arts are the acting skills that actors must have in creating their characters. In the process of shaping the characters, the actors always have many factors that affect the performance of each performance. The actor can not separate the inner experience from the external expression. If the actor simply neglects the external means of expression by focusing on the intrinsic psychological feeling, he or she can lose the ability to act on stage and cause fake performances. This is an act in which the actor often plays a role in shaping characters However, if the actor emphasizes the external means of expression and ignores the true inner experience, the actor loses the basis of action on the stage and loses “life.” Therefore, the inner experience and the external embodiment must be combined, can not be separated.