说起来,篆刻家的语言就是刀下的线条及其组合得不得法的问题,形式的表现问题和内容息息相关。而线条的形态又取决于使刀的方法。如何刻就成了如何说的别称。主体情思的最终物化了的形态就是线,提高线质,把线玩转。用刀的结果还是线,如没有入展还是个线的问 In other words, the language of the seal-cutting is the problem of the lines under the knife and the combination of them. The expression of the form is closely linked with the content. The shape of the line, in turn, depends on how the knife is made. How to carve it has become how to say another name. The final embodiment of the main physical situation of the line is the line, improve the quality of the line to playfully. The result of a knife or line, such as no progress or a line asked