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本文针对19世纪下半期至20世纪早期,韩国汉文学作家流亡中国满洲时的体验及其如何将体验从文学角度加以形象化,并就其意义进行探讨。目前,对这一主题的综合研究还几乎处于空白,这是因为研究者们认为这一时期是韩国汉文学的结束期。特别值得一提的是,作家们在日记中详细地记载了其在满洲的生活感受,其间对本民族有了新的认识,同时也将当时满洲的生活状况生动、形象地勾画出来。特别是对于儒教复古与革新的描述,使我们可以充分了解那个时代的思想风向及作家们的顾虑所在。
In the second part of the 19th century to the early part of the 20th century, Han Chinese literary writers exiled to Manchuria, China, experiencing the experience and how to visualize the experience from a literary point of view, and discussed its meaning. At present, the comprehensive study on this topic is still almost blank because researchers think this period is the end of Korean Chinese literature. What is worth mentioning is that the writers recorded in detail their feelings of living in Manchuria in their diaries. During this period, the writers gained a new understanding of their own nation and vividly and vividly described the living conditions of Manchuria at that time. Especially for the description of Confucianism and innovation, so that we can fully understand the ideological trends of that era and writers are worried about.