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本文将《洛莉塔》——这部显然称不上典范的后现代文学文本，置于西方近半个世纪文化思潮的大背景中，放在现代派文学与后现代文学的发展演变之中去考察。阐述了它的多意性，主人公之间象征式的结构，对传统价值观念的怀疑和否定，自我指涉和自我相悖式的情节与结构，机智幽默而多意的语言等等，这些都表现着一种后现代文学的精神特征，独特地实现了后现代的“颠覆”功能，因而可以说它也是后现代文学的开山力作之一。
In this article, “Lolita”, a postmodern literary text that can not be described as a model, is placed in the background of cultural trend of thought in the past half a century in the West and placed in the development and evolution of modernist and postmodern literature To study. It elaborates its multiple intentionality, the symbolic structure of protagonists, the suspicion and negation of traditional values, the plots and structures of self-referential and self-contradictory style, the humorous and multilingualism, etc. With the spiritual features of a kind of postmodernism, it has uniquely achieved the function of “subversion” in the postmodern era. Therefore, it can be said that it is also one of the pioneering works of postmodern literature.