一、以形写神不似之似“以形写神”是东晋画家顾恺之提出的著名美学论点。千百年来一直被中国人物画家视为人物画造型审美的评价标准。顾恺之总结了晋以前人物画的造型理论,从形神关系上论述了人物画造型审美特征“凡生人亡有手揖眼,视而前亡所对者,以形写神而空其实对,荃生之用乖,传神之趣失矣。空其实对则大失,对而不正则小失,不可不 First, in order to describe the likeness of God ”to describe God " is the famous aesthetic argument put forward by the Eastern painter Gu Kai. For thousands of years, Chinese figure painters have been regarded as the evaluation standard for portraits and aesthetics. Gu Kaizhi summarizes the modeling theory of the figure paintings before Jin Dynasty and discusses the aesthetic characteristics of figure painting from the aspect of the relationship between the gods and gods. All students use good, vivid interest lost. Empty fact, the big loss, but not a minor loss, must