最近听到与读到不少口头的书面的对诗歌现状的议论。总的印象是:不满的多,惬意的少,困惑、焦灼、忧虑之情溢于言表。大家所以有诗坛沉寂之感,是因为这几年再没有象1979、1980年那样出现一批有大的轰动性的诗作。这是事实。但能否以此说明诗的质量下降呢?纵观历史,造成轰动的文学现象的原因是多方面的,不完全出于审美因素,也不全取决于作者的水平与作品的质量。它是主客双方在特定历史条件下的一种不可更替的契合,有时客观的社会心理因 I have recently heard and spoken many written oral presentations on the status of poetry. The general impression is: more than dissatisfied, comfortable less, confused, anxiety, anxiety overflowing in words and expressions. Everyone therefore has the poetic sense of silence, because in recent years there has never been a series of great sensational poems like 1979 and 1980. This is a fact. However, whether the quality of poetry can be reduced? Throughout history, the sensational literary phenomenon is caused by many factors, not entirely due to aesthetic factors, nor does it depend on the level of the author and the quality of his works. It is an irreplaceable agreement between the subject and the guest under certain historical conditions, and sometimes the objective social psychology