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20世纪初期,社会局势动荡不安,复杂的政治格局、文化背景等主客观因素推动了新的审美思潮,水墨问题的学术争论以及并行的水墨创作的不断革新,是这个时期最耐人寻味的文化现象之一,此时,一种新的水墨图像形式也慢慢展现出来,即水墨图像的嬗变处理。本文以吴昌硕的艺术作品为例,分析了水墨图像的嬗变处理的内涵。
In the early twentieth century, subjective and objective factors such as turbulent social situation, complicated political pattern and cultural background promoted the new aesthetic trend, the academic debate on ink painting and the continuous innovation in ink painting in parallel. This is the most intriguing cultural phenomenon in this period First, at this time, a new form of ink image is also slowly revealed, that is, transmutation of ink images. Taking Wu Changshuo’s works of art as an example, this article analyzes the connotation of transmutation of ink and wash images.