五十年代初,在天津一次戏曲座谈会上,梅兰芳提出戏曲改革应该“移步不换形”的主张.由此,便引起了文艺界内部的一场争论,这种争论实际形成一边倒的倾向,并有逐渐扩大的趋势.中央发现后便制止了这场论争.但是,究竟应该如何理解“移步不换形”说,戏曲界至今仍有不同看法.这个问题应该展开讨论,以求得正确理解,这有利于戏曲艺术的革新和发展. In the early 1950s, at a drama forum in Tianjin, Mei Lanfang put forward the idea that the drama reform should “move without changing its shape”, thus causing a controversy within the literary and art circles. Such controversy actually formed one-sided The tendency of this trend is gradually expanding. After the Central Government found out, the debate was stopped. However, there is still a different opinion on how to interpret “moving without change of shape.” This issue should be discussed in order to To obtain a correct understanding, which is conducive to the art of drama innovation and development.