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以一部电影为引子，探讨当代人大众性心态的两极；怀旧情绪与超时空幻想，并分析了建筑创作中此心态的表现和商业化制作的影响。
With a movie as a guide, this paper explores the bipolar aspects of contemporary public mentality, nostalgia and metaphysics, and analyzes the influence of this mentality and commercial production in architecture creation.