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20世纪80年代,戴士和以《画布上的创造》一书表达了他当时的思索。在其后的大致三十年间,整个文化环境发生了巨大的变化。戴士和的创造一直没有停止,体现在画布上的手艺,于今日画坛依然可以引出诸多有价值的问题。手艺是精神的标记,劳作也透视出内质的风貌。这里不仅涉及方法、技术与风格的问题,更体现为一种世界观,即当代画家面对现实的目光。
In the 1980s, Dai Shih expressed his thoughts in the book “Creation on Canvas.” In the ensuing 30 years, the entire cultural environment has undergone tremendous changes. Dai Shihe’s creation has not stopped, reflected in the canvas craft, in today’s painting can still lead to many valuable issues. Craftsmanship is a sign of the spirit, labor also perspectives the appearance of the endoplasmic reticulum. Here not only involves the method, technology and style of the problem, but also embodies a world outlook, that is, contemporary artists face the reality of the eyes.