首先说明,笔者所谓“近代”,主要是指1840年鸦片战争至1949年中华人民共和国成立,此期的传奇杂剧是长期以来中国戏曲史和文学史研究中最为薄弱的一个环节。在此基础上,还要说明:第一,时间上限虽定于鸦片战争,但研究中应有意识地上溯到乾隆末年,即关注南洪北孔、蒋士铨、杨潮观 First of all, I said that the so-called “modern” refers mainly to the founding of the People’s Republic of China from the Opium War of 1840 to 1949, and this period of drama is the weakest link in the history of Chinese opera and the history of literature. On this basis, we should also state: First, although the upper limit of the time was set for the Opium War, the study should be conscientiously traced back to the last years of Qianlong, which focused on the northern hole of South Hong Kong, Jiang Shishuang and Yang Chaohuan