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近代国学大师王国维认为元曲为中国最自然之文学,剧作家们的创作动机完全是自然而然。元杂剧作家们创作杂剧,既不是想扬名于生前,也不是想流传于后世,只不过心有所感,一吐为快。本文通过从杂剧中文人形象的研究到作家创作自身的逆向探讨,能使我们从文学作品中人物内心出发窥见现实生活中作家丰富复杂的精神线索,揭示出剧中文人心态与现实文人心态的深层联系。
Wang Guowei, a master of Chinese traditional culture, regarded the genres as the most natural literature in China. The motives of dramatists are totally natural. Yuan drama writers who create drama, neither want to be known in life, do not want to spread in future generations, but feel something, spit fast. From the study of the Chinese literary genres in the drama to the reverse of the author’s creation, this essay enables us to reveal the complex and complicated clues of the writers in the real life from the perspective of the characters in the literary works and to reveal the deep-seated mentality of the Chinese writers and the mentality of the realistic literati contact.