黑格尔“美的理念”是理念发展到外在形式阶段的自在自为的存在,这种存在是溶解现实于自身的理念的感性显现,而消极浪漫派则是曲解并利用费希特的“自我”,把艺术界定为绝对自我的显现,把现实与自我进行对立,于是构成了远离现实的艺术准则,这和黑格尔的“美的理念”是完全对立的。 Hegel’s “idea of ​​beauty” is the existence of self-improvement during the development of philosophy from the external form. This existence is the emotional manifestation of dissolving reality in its own concept, while the negative romanticism distorts and uses Fichte’s “ Self ”, to define art as the manifestation of absolute self and to oppose reality to self, thus constituting the artistic criterion far from reality. This completely contradicts Hegel’s“ idea of ​​beauty. ”