舞蹈进入镜头后,被镜头改造了舞蹈动作形态与质感。通过外化和内化两方面的原因,解释大景别系列镜头长于对人体动作形态的呈现,短于对人体动作质感的表现;而小景别系列镜头则呈相反的现象。电视屏幕上呈现出的舞蹈动作并非人眼直接所见,而是由摄像机拍摄后呈现在观众眼前。由于物理材质的不同,同样的动作、同样的造型就有可能由于电视手段的参与而和肉眼所见有所区别。一方面,舞蹈动作的表现力会因电视画面特征的制约而有被削弱或强化的倾 Dance into the lens, the lens has been transformed dance form and texture. Through externalization and internalization, it explains that the scene of the Great Scenery Series is longer than the appearance of the human body movement form, which is shorter than the performance of the texture of the human body movement. However, the scene of the small scene series is the opposite phenomenon. The dance moves on the TV screen are not seen directly by the human eye, but are captured by the camera and presented to the viewer’s eyes. Due to the different physical materials, the same action, the same shape may be due to the participation of television and the naked eye to see the difference. On the one hand, the expressiveness of dance movements may be weakened or intensified due to the constraints of the features of the television pictures