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让-米歇尔·拉巴泰的《1913年:现代主义的摇篮》是现代主义前沿研究的一部力作。该书以开阔的视野和翔实的史料精心描绘了早期现代主义于1913年前后从文学、音乐、绘画、舞蹈、电影、物理学、数学、建筑学、心理学、性学,乃至优生学等众多学科中诞生的历史图景,指出了早期现代主义是特定时代必然产生的文化现象,是这一时期各学科相继出现的共同思想,深刻论述了这一处于婴儿期思想的新旧交替和异质融合等特征,同时也讨论了它的一些缺陷。这部文化史论著超越了以往文艺研究的范畴,对百年后今天的现代主义研究具有重要的参考价值。
Jean-Michel Rabatheis “The Thirteenth Year: The Cradle of Modernism” is a masterpiece of modernist frontier research. The book with a broad vision and informative historical materials carefully portrayed the early modernism in 1913 from the literature, music, painting, dance, film, physics, mathematics, architecture, psychology, sexology, and even eugenics and many other It points out that the early modernism is a cultural phenomenon that inevitably arises in a specific era, a common thought that has emerged in all disciplines during this period, and a profound discussion of the alternation of old and new and the heterogeneous fusion of this infantile thought Features, but also discusses some of its shortcomings. This theory of cultural history goes beyond the scope of the previous literary and artistic studies and has an important reference value for the study of modernism after a hundred years.