“花儿”是祖国文艺百花园中的一株奇葩,是民族民间文学的珍品。它广泛流行于甘、青、宁、新及川西北的汉、回、东乡、撒拉、土、保安、藏等族劳动人民之中。近年来,随着我国经济的发展,文化的繁荣,一些民间文艺工作者对“花儿”渊源、族属、流派、音韵、格律等方面进行探讨与研究,这对促进民族文化的交流,发掘民间文艺,起了巨大作用。但“花儿”究竟源于何时?产于何地?族属哪个(些)民族?目前尚未确切定论,还有待于从多方位、多层次地进行探讨,弄清其渊源及来龙去脉,才能使“花儿”发展与提高,以独特的风姿走向全国,立于世界艺术之林。 “Flowers” is a wonderful flower in the motherland’s literature and art hundred gardens, is the treasures of national folk literature. It is widely prevalent in the Han, Hui, Dongxiang, Salar, earth, security and Tibetan working people in Gansu, Qinghai, Ningxia, Xinhe and Northwest of Sichuan. In recent years, with the economic development and cultural prosperity of our country, some folk artists and artists have conducted discussions and studies on the origin, ethnicity, genre, phonology, and metrical patterns of “Hua’er”. This is of great help to promote the exchange of national culture and excavation Folk art, played a huge role. However, when “flowers” originated and where? Which ethnic groups (ethnic groups) have not yet been conclusively determined yet, yet we still have to study them from different directions and levels so as to clarify their origin and context. So that “flowers” development and improvement, with a unique charm to the country, the art world in the forest.