主持人语:文艺创作中的灾难题材是一个广阔而多元的领域,而且在不同的历史条件下具有不同的内涵。在中国古代,除了民间文艺外,文艺创作的主要作者来自士大夫阶层,在他们的创作中,自然灾害往往是一笔带过,而反复渲染的总是来自集权专制体制下的政治灾难(如《红楼梦》)以及与此相关的战争、内乱、匪患给平民百姓带来的灾难(如杜甫的《三吏》《三别》等,韦庄的《秦妇吟》),古代戏曲表现的类似灾难题材更是多不胜数。进入民国 Host language: the theme of disasters in literary and artistic creation is a vast and diverse field, but also has different connotations under different historical conditions. In ancient China, in addition to folklore, the main authors of literary and artistic creations came from the scholar-officials. In their creations, natural disasters are often carried over and the repeated rendering always comes from the political catastrophe under the authoritarian system (such as “Dream of Red Mansions”) (Such as Du Fu’s “Three Officials” and “Three Beings”) and Wei Zhuang’s “Qin Fu Yin”), the similar disasters represented by ancient operas are even more disastrous Numerous. Into the Republic of China