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在日本的文学体系中,“物哀”是一个重要的概念。关于“物哀”的界定,被作为日本民族特有的审美意识而存在。当“物哀”被落实到审美活动中,就从主观审美延伸到社会历史发展环境中,按照一定的逻辑演进,实现了历史与逻辑的统一。也正是基于此,“物哀”伴随着日本社会而发展,成为了必然的存在。日本学界崇尚物哀,是日本传统历史文化的延续,要对日本文学理论有所深入了解,就要对“物哀”以准确地诠释,也是对日本文学传统理论的解读。本论文通过对“物哀”的内在涵义以解析,对日本文学传统理论展开探讨。
In Japan’s literary system, “sorrow” is an important concept. The definition of “sorrow ” exists as the unique aesthetic awareness of the Japanese nation. When “sorrow” is implemented into the aesthetic activities, it extends from the subjective aesthetic to the social and historical development environment, and according to a certain logical evolution, the unification of history and logic is realized. It is also based on this that “material sorrow ” with the development of Japanese society, has become an inevitable existence. Japanese scholars advocate material sadness is the continuation of Japan’s traditional history and culture, Japanese literature theory to have a deeper understanding, it is necessary to “accurate” to “sorrow” to interpret, but also the interpretation of the traditional Japanese literature theory. By analyzing the intrinsic meaning of “物 哀”, this dissertation explores the traditional theories of Japanese literature.