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文人趣味主导下的明代设计尽管具有较为鲜明的审美倾向,但也存在许多矛盾、差异和变化。透过集古好古、古物新用、追捧时玩和仿古仿倭等设计现象,我们可以看到“崇古”和“追新”这一对意识在明代设计领域是如何共生共存并互动发展的。“崇古”和“追新”意识的相悖共存也直接反映了作为历史转折期的明代社会物质文化和价值观念的特点。
The Ming Dynasty design, which is dominated by literati tastes, has many contradictions, differences and changes despite its distinctive aesthetic tendency. Through the collection of ancient antiquity, the new antiquities, the pursuit of fashionable play and antique imitation Japanese design, we can see how the awareness of “Chonggu” and “Chasing new” is symbiosis in the Ming Dynasty design field Coexistence and interactive development. The incompatible coexistence of “Chong Gu” and “chasing new” consciousness also directly reflects the characteristics of the material culture and values of Ming society as a historical turning point.