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在山水画教学中,教学内容涉及到不同画派,而文人画与院体画这两个不同的画派在绘画史上占据很大的地位。中国绘画中山水画发展最为鼎盛,学习好山水画可以使我们对中国画的道、理、情、趣、派系等有所了解。纵观历史,文人画与院体画两个最为不同的画派因作画目的、思想态度、创作方法不同形成了不同的艺术表现形式。正因为二者的相互影响使得中国画得到了发展。在教学时教授学生对这两种传统绘画派别的目的和技法进一步的分析与对比研究,对于我们以新的眼光看待传统山水画有着更深的理解,对当前山水画的发展也有所裨益。
In the teaching of landscape painting, the teaching content involves different schools of painting, and the two different schools of painting, scholarly painting and courtyard painting, occupy a very big place in the history of painting. The most flourishing development of landscape painting in Chinese painting, learning landscape painting can make us understand the Chinese painting, reason, love, faction and so on. Throughout history, the two most distinct schools of scholars’ paintings and courtyard paintings have formed different forms of art because of the purpose of their paintings, their attitudes and methods of creation. It is precisely because of the interaction between the two that Chinese painting has been developed. Teaching students to further analyze and compare the purpose and technique of these two traditional painting factions has a deeper understanding of the traditional landscape painting from a new perspective and will also benefit the current development of landscape painting.