随着新诗百年诞辰脚步的临近,许多人蛰伏在心底的整数意识又开始隐隐作祟。五十而知天命,六十满一甲子,已有一个世纪历史积累的新诗究竟如何?它有没有从根本上彻底打败最初的“敌人”旧体诗,是否建立起一套独立成熟的审美规范,留下了几多正反两方面的经验,和读者的关系又呈现着怎样隔膜抑或融洽的关系形态?在这个问题上,新中国成立后毛泽 With the approaching of the centenary of the birth of New Poetry, many people who are dormant in the bottom of their hearts begin to feel faintly in their consciousness of integers. Fifty and know the destiny, sixty full one child, has a centuries of history, the accumulation of new poetry exactly? Is it fundamentally fundamentally defeat the original “enemy” old-fashioned poetry, whether to establish an independent mature Aesthetic norms, leaving a few positive and negative experience, and the relationship between the readers and showing how the membrane or harmonious relationship between the form? On this issue, the founding of New China, Mao Ze