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展览呈现出一种策展上的人格分裂,一方面被数字艺术与正统艺术界的结合所吸引,另一方面又对它的阶级本质而嗤之以鼻。
The exhibition presents a curatorial split in personality that is drawn both by the combination of digital and orthodox art on the one hand and at the other by the displeasure of its class nature.