论文部分内容阅读
刘国松为抗日烈士后代,战乱的年代培养起了他坚毅的性格和百折不回的意志。1949年他别离母亲,只身到台湾,1951年考入台湾师范学院美术系,从此开始了他灿烂的艺术人生。1959年,刘国松在油画布上渲染出中国画的水圣趣味,开始他的“中西合璧”尝试。接着他重回纸墨世界,进行一系列创新实践,相继创造出“拓墨画”、“抽筋剥皮皴”等独家枝法,并且制造出一款粗筋棉纸,被画界称作“刘国松纸”。1974年刘国松提出“革中锋的命”、“革笔的命”两句口号,在画坛掀起了一场轩然大波。而随着时代的发展,刘国松的创新概念终于为画坛众多人士所接受,并且形成了一股潮流。刘国松因此被誉为现代水圣运动的先驱。刘国松始终情系大陆,是台湾第一个赴大陆举办画展以及进行文化交流的画家,同时为推动大陆的现代艺术运动,作出了重要的贡献。
Liu Guosong is the anti-Japanese martyr’s offspring who have cultivated his resolute character and never-ending will during the war years. In 1949 he left his mother, only to Taiwan, in 1951 admitted to the Taiwan Normal University Department of Fine Arts, from the beginning of his brilliant artistic life. In 1959, Liu Guosong rendered the water-saintly taste of Chinese painting on canvas and started his “Sino-Western” attempt. Then he returned to the world of paper and ink, carried out a series of innovative practices, have created “ink painting ”, “cramp skinned 皴 ” and other exclusive branch method, and create a thick tissue paper, “Liu Guotong paper ”. In 1974, Liu Guosong proposed “slogan” of “leather center” and “slogan of leather pen”, setting off an uproar in the art world. With the development of the times, Liu Guosong’s concept of innovation has finally been accepted by many people in the field of painting and has formed a trend. Liu Guosong therefore hailed as the pioneer of modern water holy movement. Liu Guosong, always in touch with the mainland, is the first artist in Taiwan to hold an exhibition of paintings and conduct cultural exchanges with the Mainland. At the same time, Liu Guosong made important contributions to promoting the modern art movement in the Mainland.