为了纪念当代的“遗忘症”青年艺术在我的理解里,分为两种:一种是青年艺术家的艺术;另外一种是刚出现不久抑或说是还没有得到一定关注的“新”的艺术形式。譬如,印象主义画家马奈在创作《草地上的午餐》的时候,他已经40岁了,然而这件作品落选了带有学院主义性质的作品沙龙,在相当长的一段时期内未受到正面的关注。俨然,关注当时莫奈“青年”的现代意识的形象语言,比作为年龄身份的他更重要。所以说,假如青年艺术仍然值得去研究和讨论的话,我更倾向于最后一种的理 In my understanding, there are two kinds of young art in memory of contemporary “amnesia.” One is the art of young artists. The other is just emerging, or is it still not getting some attention. “ ”Art form. For example, impressionist painter Manet was 40 when he was writing “Lunch on the Meadow,” but the work ended with the rejection of an academic salon Salon, which for quite some time had not been positively attention. It seems as if the language of concern about the modern consciousness of Monet’s “youth” at the time is more important than his age. So, if youth art is still worth studying and discussing, I prefer the last one