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汉斯立克认为,迄今为止的音乐美学的一个“通病”在于不去追问音乐中的美是什么,而只是去描述人们在鉴赏音乐时所产生的情感反应;指出“审美探讨的研究对象首先是美的物体,而不是感受着的主体。”他说,“任何没有偏见的、细心的读者不难看出我只是抗议把情感错误地牵涉到科学中去……我们不能从一般普通的感情的申诉中引出什么音乐的规律来。”本文正是基于探寻音乐美的本质,以认知论为基础,探讨关于音乐美的几个基础问题。
Hanslick argues that a “common problem ” in music aesthetics thus far lies in not asking what the beauty in music is, but only describing the emotional reactions that people make when appreciating music; pointing out that “aesthetic discussion The object of study is primarily the object of beauty, not the subject of feeling. ”“ He said, ”Any unbiased, attentive reader is not hard to see that I am just protesting that emotion is wrongly involved in science ... We can not go beyond normal The general law of emotions leads to what law of music comes from. "This article is based on the exploration of the essence of music beauty and on the basis of epistemology to explore several basic issues concerning the beauty of music.