目前墓葬壁画研究中常见的一种做法是,将作品与文献记载的大画家或画派的艺术风格相对照,来推断壁画的作者,并将作品归入某些著名画家的名下,试图呈现当时的美术发展状况。这些研究其实是默认了一个前提,那就是墓葬壁画与卷轴画等形式的绘画无异,由此引发的问题是,墓葬壁画与地上绘画所处的环境、功能、媒介以及创作者的身份均不相同,应分属两个不同 At present, one of the common practices in the study of tombs and murals is to compare the works with the artistic styles of the large painters or school members documented in the literature to infer the author of the murals and categorize the works under the names of some famous painters in an attempt to present Art development at the time. These studies, in fact, are by default a premise that the burial murals are the same as the scrolls and other forms of painting. The resulting problems are that neither the environment, function, media nor creator’s identity of the tombs and ground paintings are The same should belong to two different