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成为创作的绿洲记得一位美国美术史学家在淡到美国现代艺术时说过,不管美国现代艺术在风格上怎么变化,它总是反映着美国人的心态和美国的社会生活:巨大的、空漠的、深远的,反映出国土的辽阔和人为环境的多样性。确实,当我们面对着变化万千的美国现代艺术感到眼花缭乱,甚至难于理解时,美国当代的社会生活就象一本导游手册,引导我们在这个迷宫中漫游。第二次世界大战以后,随着西方世界政治、经济重心的转移,纽约取代巴黎成了西方现代艺术的中心。而在此之前的近200年的时间里,美国现代艺术的发展只能说是西方现代派的尾巴,没有推出任何有影响的流派和艺术家。二战中一批著名的欧洲现代派画家为躲避战火和法西斯的迫害,漂洋过海来到美国,他们带来的作品和思想使美国艺术家大开眼界。而且与
An Oasis of Creation Remember when an American art historian said faintly to modern American art, no matter how the style of American modern art changes, it always reflects the mentality of the American people and the social life of the United States: huge, deserted Far-reaching, reflecting the vast territory and human diversity of the environment. Indeed, as we face the dazzling and even difficult to understand facet of the ever-changing modern American art scene, the contemporary American social life is like a guide book that guides us through the maze. After the Second World War, with the shift in the political and economic center of the Western world, New York replaced Paris as the center of Western modern art. In the nearly 200 years prior to this, the development of American modern art can only be described as the tail of the Western modernists, without introducing any influential schools and artists. A group of well-known European modernist painters from World War II came to the United States to escape persecution of war and Fascism and brought their works and ideas to an eye-opener for American artists. And with