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《饿乡纪程》与《赤都心史》是现代中国的跨文化叙述文本,以比较文学形象学视角察看,其间潜存着“自我”与“他者”的内在关联,“苏俄形象”则是“自我”对“他者”的跨文化建构。“东方稚儿”为瞿秋白概括性自喻形象,其寻求中国现代化(现代性追求)的主体憧憬,构成瞿氏苏俄叙述的“先见”。瞿氏“苏俄形象”包含苏俄社会与苏维埃政权、俄罗斯文化与民族性两方面内涵,兼具真实性与想象性特质,贯穿着乐观主义的辩证文化史观,具有“乌托邦形象”性质,属于近代以来中国现代性想象的话语谱系,并成为日后“中国革命想象”的有机构成要素。
“Hungry township history” and “Red history of heart” are the intercultural narrative texts of modern China. They are viewed from the perspective of comparative literary imagination. During this period, there is a latent relationship between “self ” and “other The image of Soviet Russia is the cross-cultural construction of ”self “ versus ”other “. ”Oriental childish “ is a general self-image of Qu Qiubai. His pursuit of the main body of China’s modernization (pursuit of modernity) constitutes the ”preconception“ of Qu’s narration in Soviet Russia. Qu’s image of Soviet Russia contains the connotation of Soviet society and Soviet government, Russian culture and nationality, both authenticity and imagination, runs through the dialectical cultural history of optimism, and has the image of Utopia ”Nature, belongs to the discourse pedigree of modern Chinese imagination in modern times and becomes an organic constituent element of“ Chinese revolutionary imagination ”in the future.