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新世纪以来,一个引人注目的现象是:五六十年代出生的一批早已成名的作家,在经历了二十世纪九十年代后半期的短暂调整(或迷惘/观望/积累)之后,再次爆发出令人炫目的创作之光,引起整个文坛的持续爆炸。这其中,尤以莫言(《生死疲劳》《蛙》)、贾平凹(《秦腔》《高兴》《古炉》《带灯》)、苏童(《蛇为什么会飞》《河岸》《黄雀记》)、余华(《兄弟》《第七天》)、阎连科(《受活》《丁庄梦》《风雅颂》《四书》)等为人瞩目。他们这些作品既引起了巨大的轰动,
A noticeable phenomenon since the beginning of the new century is that a group of well-known writers born in the 1950s and 1960s, after a brief adjustment (or confusion / wait / gain) in the latter half of the 1990s, Erupted a dazzling creative light, causing the continuous explosion of the literary world. Among them, Mo Yan (“Life and Death”, “Frog”), Jia Pingwa (“Qin”, “Happy”, “Ancient Lantern” ), Yu Hua (“brother”, “Seventh Day”), Yan Lianke (“live”, “Dingzhuang Dream”, “Fan Ya” “Four Books”) and other people’s attention. They both caused a huge sensation in these works,