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画须有味。“味”从何来?曰有“意境”。意境作为中国绘画的最高审美范畴,它包含了客观的物境与主观的情意。它是两者水乳交融而构成的整体。而构成意境最常见、也是最基本的操作单位即为意象。意余于象,有意象才会有意境。中国画家们追求高雅清逸、温柔敦厚、高风亮节、自我完善,达到一种意境。娴熟的技巧,是为了达意,绘画的目的是在“意”字上见功夫,唯此才能引起观赏者的共鸣。故“搜求
Painting must have taste. Where does “taste” come from? As the highest aesthetic category of Chinese painting, artistic conception contains the objective situation and the subjective affection. It is a blend of both water and milk as a whole. The most common form of mood, but also the most basic unit of operation is the image. Meaning in the image, the image will have the mood. Chinese painters pursue elegant and elegant, gentle and honest, high and gentle, self-improvement, to achieve a mood. Skilled skill is intended for the purpose, the purpose of the painting is to see “meaning” on the word kung fu, only this can cause the viewer’s resonance. Therefore "search