山石画法总结唐代王维开创了斧劈皴与劈麻皴并用法。画山石两皴混合用之,充分体现了皴法的表现力和塑造山石明暗的能力,更能表现山石的质感。总之,山石是山水画中不可缺少的组成部分,在山水画的构图中起着重要的作用。有时,寥寥几笔一块小石头,可以改变整幅作品的节奏感。画山石要有聚有散、大小相间,山石的组合有“大间小”、“小间大”。画山石一般先勾轮廓线然后画皴法,有时也可先皴后勾。勾线 Rock painting method summary Tang Dynasty Wang Wei pioneered the ax split and split mochi and usage. Painted mountain stone two 皴 mixed with, fully embodies the law expression and the ability to shape the brightness of rocks, but also to show the texture of rocks. In short, the rock is an indispensable part of landscape painting, plays an important role in the composition of landscape painting. Sometimes, a handful of small stones can change the rhythm of the entire work. Painted rocks to be gathered and scattered, the size of phase, the combination of rocks there “big room ”, “small room big ”. Painted rocks generally first hook contours and then draw the law, and sometimes after the first 皴 hook. Hook the line