《培尔·金特》剧中有三座不同的高山与三条不同的谷地:一是培尔与母亲生活的“奥丝家园”的小山麓与涧流谷地;二是培尔骑着驯鹿飞翔的“燕汀山背”与冰河谷地;三是培尔在如醉似梦幻境中走进的“龙德山中”与沼泽谷地。每一重高山与每一座谷地的结合,都可以形成一重地理圈,并与培尔的思想与情感等相结合,就形成一重艺术的回环圈。三重地理圈以及由此形成的回环圈呈螺旋式上升,整体形成“回环螺旋”式地理空间结构。其间,每一重完整环形圈的形成,培尔就向“自我王国”理想迈进一步。“回环螺旋”式地理空间之艺术表现,正是易卜生诗意情怀之深度体现,也是对“人怎样才能忠实于自己”的哲学思考。 There are three different high mountains and three different valleys in the “Peirkin” play: the small foothills and stream valleys of “Aosi Homeland” where Peel and his mother live; the second is Peir’s riding on the reindeer Flying “Yan Ting Shan back ” and the glacier valley; third is Peiru intoxicated dreamland into the “Longde Mountain ” and swamp valley. The combination of each high mountain and every valley can form a heavy geography circle and combine with Peir’s thoughts and emotions to form a heavy art circle. The triple geo-circle and the loop formed thereby form a spiral rise, forming a “spiral loop” geospatial structure as a whole. In the meantime, with each complete ring formed, Peer went one step further to the ideal of “self kingdom.” The artistic expression of “spiral loop” geospatial is the deep expression of Ibsen ’s poetic feelings and the philosophical thinking of “how people can be faithful to themselves”.