兴许是长期跟戏曲的缘分吧,读周公瑾的戏曲人物画,我是格外的仔细。他的画里有对儿时学戏时的悠远回忆,有对自己在舞台上取得成就时的欣慰,而更多的是对一个艺术生命过程的祭奠。 周公谨以人到中年的人生感悟,用水墨丹青来折叠一个残缺的京剧舞台,同时也在折叠着一个残缺的人生。折叠来,折叠去,一种戏如人生、画如人生的况味;一种人生如戏、人生如画的酸楚;顺着周公谨的画笔,流露出带有生命意义的苍凉。 Perhaps long-term drama with the fate of it, read Zhou Gongjin’s opera figure painting, I was particularly careful. His paintings contain distant memories of childhood learning, happiness when he achieves achievements on the stage, and more is a memorial to the process of an artistic life. Zhou Gongjin perceived life as a middle-aged man, using ink Dan to fold a ruined Peking opera stage, but also folded a incomplete life. Folding, folding to go, a kind of drama, such as life, painting like the state of life taste; a life like a drama, picturesque sour life; along Zhou Gongjin brush, revealing life with meaning of desolation.