在戏剧创作中,处理好导演与演员的关系是直接关系到演出优劣成败的关键。至今,对于这一重要的理论与实践问题仍存在许多分歧。为此,笔者愿就此提出若干浅见,以期引起讨论。导演的中心性在戏剧创作中,对于究竟是以导演为中心,还是以演员为中心,主要有两大观点,即“导演中心论”与“主演中心论”。 In drama creation, dealing with the relationship between director and actor is directly related to the success or failure of the key to performance. To date, there are still many differences between this important theoretical and practical issue. For this reason, I would like to put forward a few humble opinions in this regard, with a view to arousing discussion. Director’s centrality In drama creation, there are mainly two major views about director-centered or actor-centered, that is, “director-center theory” and “starring-center theory”.