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本刊自“中国戏剧现状论坛”开栏以来,得到了戏剧界诸位同仁的积极响应和支持,先后刊出了一些具有独到见解和理论深度的文章。这些文章从不同的侧面对中国戏剧创作、批评、理论研究乃至戏剧教育等领域的现状和问题作了中肯的分析和论述。本期发表的廖奔先生的《观剧日记》,则是从近年来展现在北京京剧舞台上的剧目入手,进行一种现场性、可感性的实证分析。文章实话实说地论证了这些剧目的成败得失,不仅为一线的创作者们提供了具有可操作性的意见和建议,同时也将呈变化态势的中国京剧现状展现在读者面前。
Since the opening of the “China Theater Present Forum”, the magazine has received positive response and support from all my colleagues in the drama industry and has successively published some articles with unique insights and theoretical depths. These articles give a fair analysis and discussion of the current situation and problems in the field of Chinese drama creation, criticism, theoretical research and drama education from different aspects. This issue of Mr. Liao Ben’s “Drama Diary” is from the Beijing Opera show in recent years to show the stage to start with a live, sensible empirical analysis. The article demonstrates the success or failure of these plays truthlessly, not only for the first-line creators to provide operational advice and suggestions, but also to show the changing status of the status quo of Beijing opera in front of readers.