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从风景到山水的气色演变为何我会想到把风景、山水、丘壑三者之关系,作为论述的题目?首先因为早些年,为了探究山水画,我曾对网上风景照做海选,但触目所见差不多皆是满满的风景,这些照片大多只宜以西画方式来表现,而绝非符合中国画特征的空灵山水。显然,平时写生所见多为满满的风景,却要在笔下画出空灵的山水,这视觉与表现的矛盾,正是摆在现代山水画家面前很难回避的一个难题。不少山水画家只得无奈变通:或是采用简略的速写勾勒,把大量视觉所见繁赘舍去;或是借鉴古今名家现成的皴法图
From landscape to landscape color evolve into why I think of the landscape, landscape, hills and the relationship between the three as the subject of discussion? First of all, because in the early years, in order to explore the landscape painting, I have done online election landscape election, but the eye-catching Most of the pictures we see are full of landscapes. Most of these pictures should only be presented in the form of Western paintings, but not in the landscapes that are characteristic of Chinese painting. Obviously, most of the sketches we usually see are full of landscapes, but we have to draw ethereal landscapes. The contradiction between vision and expression is a difficult one to avoid in the face of modern landscape painters. Many landscape painters have no choice but to make ends meet: or use sketches sketched out to see a large number of visual see the cumbersome shed; or learn from ancient and modern masters of the law