一初见庄先生,是两年前的一个冬夜。先见其人,双目炯炯,清癯高华;再览其画,浓墨华彩,随月色弥散。庄弘醒先生是浙江南浔人,年已七十六岁,虽清瘦却健朗,满头银发,精神矍铄。在他住的房子里,墙上挂着几幅自己的水彩画。那夜,我们一边喝茶,一边欣赏他的作品,除了早已眼熟的水乡,还有一些印度、欧洲的写生与创作。他的作品,气息纯净如水,充溢着浓郁的东方情调,堪称大雅。我深信,这些动人心弦的画作,当是中国当代画坛的一隅胜地,其艺术价值不容小觑。夜深天寒, First saw Mr. Zhuang, is a winter night two years ago. See their people, eyes bright, clear Gao Gao Hua; see the painting again, thick ink Huacai, with moonlight dispersion. Zhuang Hong-wen, a native of Zhejiang Nanxun, has a 76-year-old age. Although his body is thin and healthy, his head is full of silver hair and spirits. In his house, a few pieces of his own watercolor were hanging on the wall. That night, while drinking tea while admiring his works, in addition to the already familiar water, there are some Indian, European sketches and creation. His works, pure air of water, full of rich oriental flavor, called Tagaytay. I am convinced that these moving paintings, when it is a corner of contemporary Chinese painting and calligraphy, should not underestimate the artistic value. Late at night,