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在我国的拉弦乐器中,二胡是最具有民族特点的乐器之一,其构造独特,音色与人声接近,擅长抒发含蓄温婉的情感。二胡艺术的特点,是其如歌般的演奏,从始至终将优美的旋律放在首位。二胡并没有指板,为左手“按、揉、打”等技法创造了充分的空间使其发生各类变化,令其体现出独特的抒情魅力。其委婉如歌的音色,善于描绘各种民俗风情,表达各种复杂的思想感情,凸显中国特有的线性音色的韵味与风格特点。本论文从二胡的音乐文化背景、音色、技法等方面探讨二胡演奏艺术的独特魅力,为二胡演奏、教学以及音乐创作提供一个基本的理论依据。
Among the stringed instruments in our country, the erhu is one of the most ethnically-characteristic musical instruments. Its unique structure, close sound and vocality, is good at expressing subtle and gentle emotions. Erhu art is characterized by its song-like performance, from beginning to end will be beautiful melody in the first place. Erhu does not have a fingerboard, creating enough room for left-handed “pressing, kneading, playing” techniques to make it all sorts of changes that make it embody a unique lyric charm. Its euphemistic voice, good at depicting a variety of folk customs, expressing a variety of complex thoughts and feelings, highlighting the unique Chinese linear tone of the flavor and style characteristics. This paper explores the unique charm of erhu performance art from the aspects of musical culture background, tone color and technique of erhu, and provides a basic theoretical basis for erhu performance, teaching and music creation.